ASSOCIATES

Julia Kunze
Biography
Filmography

Tim Metzger
Biography
Filmography

Haresh Patel
Biography

Dan Ecclestone
see Associates page

Jane Dodd
see Associates page

JULIA KUNZE, PRODUCTION

Julia started her career in Berlin with the German advertising production company Filmhaus, where she started as location manager and rose to the position of Post Production Producer. Looking to broaden her knowledge base she moved to London to study at the London Intetnational Film School. Her producer/production credits include Hamro Jiwan, a documentary shot on location in West Nepal, 35mm, Some Assembly Required, Nine Days of Hell and Alone Together.

TIM METZGER, LIGHTING CAMERAMAN

Tim is currently based in New York having graduated from the London International Film School. Sprig Productions credits include Alone Together and Nine Days of Hell. Additional credits include Love and Stuff currently playing the festival circuit in the US, the 35mm black and white short drama Alice Rose From the Dead and the 16mm documentary Life Inside, a portrait of two army pensioners coping with life in the Royal Hospital Chelsea, premiered at the Sheffield International Documentary Festival. Tim also directed and shot The Unlikely Lads, a verité–style documentary comedy centering on a barbershop quartet.

HARESH PATEL, SOUND

Haresh has a diploma in Media Production, a degree in Sound Engineering and an MA in Sound Production. Sprig Productions credits include Nine Days of Hell, Self–indulgent Masochism and Alone Together. External credits include the feature film Senseless and Road to Ladakh, filmed on location in Northern India. His recent projects include Ladies In Lavender (Scala Productions), A Way of Life (Tantrum Films) and forthcoming projects Enduring Love (Ridgeway Productions) and Bullet Boy (Working Title, Shine).

DAN ECCLESTONE, COMPOSER

Dan Ecclestone’s first experience of writing music for film came when still at school. He was asked to compose incidental music for Eat the Rich a satire of Thatcher’s Britain produced by the Comic Strip, the team behind The Young Ones. He went on to study composition under Edward Gregson at Goldsmiths’ College before spending many years working for the composer and arranger John Cameron on a series of West End musicals, film soundtracks and orchestral and chamber recordings for the Warner Classics label. Now working freelance, recent projects include film scores for Anna Campion and Martin Stitt; corporate logos for Robot films; string arrangements for Universal/Island records; and work on his own album of original material under the name ‘Delphy’.

© Sprig Productions Ltd 2003

	JULIA KUNZE, PRODUCTION Julia started her career in Berlin with the German advertising production company Filmhaus, where she started as location manager and rose to the position of Post Production Producer. Looking to broaden her knowledge base she moved to London to study at the London Intetnational Film School. Her producer/production credits include Hamro Jiwan, a documentary shot on location in West Nepal, 35mm, Some Assembly Required, Nine Days of Hell and Alone Together.
	TIM METZGER, LIGHTING CAMERAMAN Tim is currently based in New York having graduated from the London International Film School. Sprig Productions credits include Alone Together and Nine Days of Hell. Additional credits include Love and Stuff currently playing the festival circuit in the US, the 35mm black and white short drama Alice Rose From the Dead and the 16mm documentary Life Inside, a portrait of two army pensioners coping with life in the Royal Hospital Chelsea, premiered at the Sheffield International Documentary Festival. Tim also directed and shot The Unlikely Lads, a verité–style documentary comedy centering on a barbershop quartet.
	HARESH PATEL, SOUND Haresh has a diploma in Media Production, a degree in Sound Engineering and an MA in Sound Production. Sprig Productions credits include Nine Days of Hell, Self–indulgent Masochism and Alone Together. External credits include the feature film Senseless and Road to Ladakh, filmed on location in Northern India. His recent projects include Ladies In Lavender (Scala Productions), A Way of Life (Tantrum Films) and forthcoming projects Enduring Love (Ridgeway Productions) and Bullet Boy (Working Title, Shine).
	DAN ECCLESTONE, COMPOSER Dan Ecclestone’s first experience of writing music for film came when still at school. He was asked to compose incidental music for Eat the Rich a satire of Thatcher’s Britain produced by the Comic Strip, the team behind The Young Ones. He went on to study composition under Edward Gregson at Goldsmiths’ College before spending many years working for the composer and arranger John Cameron on a series of West End musicals, film soundtracks and orchestral and chamber recordings for the Warner Classics label. Now working freelance, recent projects include film scores for Anna Campion and Martin Stitt; corporate logos for Robot films; string arrangements for Universal/Island records; and work on his own album of original material under the name ‘Delphy’.